Tuesday, November 24, 2009

5 Favorite College Radio Stations?


One of the reasons that I started Spinning Indie was because I wanted to help connect college radio DJs with folks from other stations. I love meeting other college radio DJs, seeing stations all over the country, and getting ideas from others who love music and radio.

For that reason, I'm always impressed when I hear about college radio stations who support and give credit to stations other than their own.

In today's Daily Nebraskan, KRNU Music Director Casey Welsch devotes his column to a run-down of his 5 favorite college radio stations. They include WMHB (Colby College), BIRN (Berklee College of Music), Pulse Radio (London School of Economics), WNYU (New York University), and WESU (Wesleyan University).

He mentions that he listens to these stations via iTunes radio and that part of his motivation is to see how his station at University of Nebraska is doing compared to others.

What do you think of his list? What are your 5 favorite college radio stations?

Tuesday, November 17, 2009

Canadian Student Station CKMS to Cease Broadcasting

Back in 2008 I wrote a few pieces about the situation at Canadian college radio station CKMS and haven't really followed their plight since then. Well, it turns out that after they lost funding from the University of Waterloo in 2008, the station revamped itself a bit and continued under the name SoundFM.

This week they again attempted to gain school funding via a referendum presented to students. Students were asked if they would pay a refundable $2.50 fee (less than what students paid in the past to fund the station) in order to help support the radio station.

Well, the referendum lost yesterday, with only about 18% of students voting.

Yesterday SoundFM announced that the station will cease broadcasting on December 4, 2009. According to a statement on their website, they would like to continue operating as a radio station and supporters are encouraged to contact them:

"If any campus or community members would like to share any ideas or support please get in contact with the President of the Board of Directors, Steve Krysak.

We will be holding a general meeting in two weeks time, with a location and exact date to be announced, to discuss potential options for continuing broadcast and get feedback from SoundFM supporters in the campus and community. You do not have to be a SoundFM member to attend this meeting."


I'm always going to be on the side of keeping radio on campus and I hope that CKMS/SoundFM figures out a way to continue operating; especially since radio dates back to the 1960s on campus.

It saddens me to read in various articles that student apathy and lack of interest in radio (and reliance on iPods) are a few reasons for the station's demise.

College Radio Woodie Awarded to KUPS

mtvU just announced their 2009 winner for the annual College Radio Woodie Award. After many rounds of voting, KUPS from University of Puget Sound (Tacoma, Washington) was selected by popular vote. According to the article on the MTV website, over 3.1 million votes were cast.

New York DJ Matt Pinfield of WRXP (hey...I just saw him a few weeks ago!) actually showed up at KUPS on Friday to present the staff with their award and there's a great picture of that on the Weekly Volcano's Spew Blog.

The official mtvU Woodies Awards Ceremony takes place tomorrow in New York City and will be broadcast on various MTV outlets on December 4th. Although I've been focusing on their college radio award, the Woodies also include awards for best artists, videos, etc.

Congratulations to KUPS. It's awesome to see a station win this award that hasn't been on the top of some of the other recent college radio award lists and I appreciate that voters helped to mix things up a bit.

Take a look at my previous posts (I was a little OCD in terms of tracking the Woodies this year) about the 2009 College Radio Woodies to find out about the nomination process that began with more than 300 stations and was narrowed down to 100, then 50, then 25, and finally culled to five finalists.

Thursday, November 12, 2009

Radio Station Field Trip 19 - RXP 101.9 "The New York Rock Experience"

Emmis Communications- Home of WRXP

It was never on my agenda to visit a commercial radio station. My assumption has been that a corporate radio station in 2009 would be a very boring and depressing place. To me the horrors of commercial radio these days are the results of fewer and fewer station owners, resulting in tightened playlists, less local programming, and more DJ automation.

However, when I saw a panel of DJs and staff from WRXP (aka "the New York Rock Experience") at the CMJ Music Marathon in New York City last month I actually became intrigued again about the potential of commercial radio and decided that I wanted to see this New York City rock station in action.

Leslie Fram on Mic During "The Rock Show"

Thanks so much to Program Director Leslie Fram for welcoming me to the station and for allowing me to be a fly on the wall during her morning show. Also a big thanks to her co-host Matt Pinfield, Producer Matt Ianni and DJ Greg Russ for talking to me about RXP.

WRXP has been around since February 2008 as a rock-oriented station in New York City owned by Emmis Communications. Previously, 101.9 was home to a number of formats, most recently smooth jazz up until to the change to rock.

I visited the station on the morning of Friday, October 23, 2009 during the last hour of the morning drive show hosted by Matt Pinfield and Leslie Fram. Dubbed "The Rock Show," it airs on weekdays from 6 to 10am.

Matt Pinfield Selecting Tracks During His Morning Show on RXP

When I arrived, former college radio DJ Matt Pinfield (perhaps you remember him from his days hosting MTV's alternative music show "120 Minutes" or from his regular gig during DirecTV's SXSW coverage) was actually selecting music to play during the final hour of the show which they call "Spinfield."

In advance, he'd creating a list of possible tracks to play and I watched him pick and choose his final selections. He changed his mind about a couple of things as he heard the music play, making comments like, "I need something kind of synthy." It was something I could relate to as a DJ and I was so happy to see him excited about crafting interesting segueways. He also seemed really moved by listener feedback and was elated when a comment came in on his mobile phone from a listener saying, "you made my day."



He played both classic (Elvis Costello) and new (Killers) stuff and even through in some bands that were completely off my radar like The Raspberries (by listener request). I was surprised and delighted to hear him throwing on one of my '80s favorites The Chameleons and impressed that on the fly he decided to nestle that next to Black Sabbath. Matt was downright giddy about that particular musical segue and it became so obvious to me that he loves music and radio. You can view his entire playlist for that hour on the RXP blog.


Although it wasn't a revolutionary hour of music, it was refreshing to see that there's a commercial station out there where DJs actually have some say over what they are playing. And....it wasn't all digital music. Matt played some CDs during the show and I also saw the 10AM DJ arriving for his shift with a CD wallet in hand.

Following my visit I talked to Leslie about this a bit and she told me over email that,

"RXP reminds me of the 'spirit' of radio when I first started. We are all very passionate about music and are excited to have the opportunity to work for a company that allows us to offer our listeners a different kind of rock radio station in the Tri-State. DJ's that can actually talk about the music, program their own features and play new music and unsigned bands!"

It was obvious during my visit that Matt and Leslie love music. They talked about artists who they were planning to see and seemed super enthusiastic and engaged.

Music Brought in by the Next DJ

But, as you might guess, being commercial radio it's not all wild and anarchistic. Like all stations, they have a log of "business" that they must attend to every hour, including commercials, public service announcements, ticket giveaways, etc. The producer of the show maps out the overall flow of things in advance and you can actually take a peek at what one such flow sheet looks like on this post from the RXP blog last week. Music being played also includes requests and some emphasis on local artists with their "Local Licks" selection during the hour that I was there. To get a sense of all of the music being played, you can take a look at the station's playlist archive for the past 2 weeks.


During the hour that I was in the studio, I was kind of amazed by the lengthy sets of music, with the DJs only really taking a few breaks. They called these breaks "stop sets" and they seemed to last for about 5 minutes, including DJ banter and ads.


After Matt and Leslie finished their show, I got a quick tour around WRXP. Being a part of the Emmis radio group, they share space with a few other radio stations. Greg took me around to the WRXP production studio, green room (complete with gross couches--a staple of any radio station!), and through farms of cubicles housing sales, HR, accounting, and the web teams.

Requisite Nasty Couch in the Stations' Shared "Green Room," complete with Dead Tree

Programming and Music Directors had offices with doors and I even spotted a vinyl record reflected through the glass of the Music Director's office. Although I didn't see any sort of music library, Greg did point out a locked cabinet of music for one of their fellow stations. Mail tubs full of music were also in the hallway outside the Music Director's digs.

Music Director's Office at RXP

Believe it or not RXP also has a show completely devoted to vinyl. The Sunday morning "Vinyl Experience" show airs from 9 to 10am and is hosted by vinyl enthusiast Paul Cavalconte. It actually debuted on October 25th, just a few days after my visit. Although the station doesn't have a vinyl library, they do have turntables which they set up in the Control Room for that particular show. Do you know of any other commercial stations with vinyl-only shows? I'd love it if that was a growing trend.

Thanks again to the crew at RXP for showing this college radio gal around the station's digs. Although many things are different (commercials, salespeople), many things were surprisingly the same (stinky couches, enthusiastic DJs).

Previous Spinning Indie Radio Station Field Trips:

Field Trip to WECB at Emerson College
College Radio Field Trip 2 - Cal Poly's KCPR
College Radio Field Trip 3 - Notre Dame's WVFI
Radio Station Field Trip 4 - WFMU in Jersey City
Radio Station Field Trip 5 - East Village Radio in NYC
Radio Station Field Trip 6 - WNYU in New York City
Radio Station Field Trip 7 - Northwestern's WNUR
Radio Station Field Trip 8 - Stanford's KZSU
Radio Station Field Trip 9 - University of San Francisco's KUSF
Radio Station Field Trip 10 - Santa Clara University Station KSCU
Radio Station Field Trip 11 - UC Berkeley's KALX
Radio Station Field Trip 12 - KSJS at San Jose State University
Radio Station Field Trip 13 - WBAR at Barnard College
Radio Station Field Trip 14 - KFJC at Foothill College
Radio Station Field Trip 15 - UC Santa Cruz Station KZSC
Radio Station Field Trip 16 - Haverford College Station WHRC
Radio Station Field Trip 17 - FCCFree Radio in San Francisco
Radio Station Field Trip 18 - Flirt FM in Galway, Ireland

Goodbye to Student Radio at KAUR and Hello to MPR


After getting a comment on an old post of mind about college radio station KAUR at Augustana College in South Dakota, I decided to loop back and find out the status of the station. Back in May I reported that the school dropped the station's FM signal and that KAUR would continue to broadcast as an online-only station.

At the time one of the reasons cited for this change was outside interest in the signal from religious and public radio groups.

Well. It turns out that public radio won and college radio lost on this one.

KAUR is on the air over FM now, but as of September 15th it's been broadcasting an all-news format from Minnesota Public Radio (MPR) and there are no plans to air local content. Additionally, the school decided to no longer maintain even an online-only student radio station.

I just hate stories like this.

Apparently in recent years the staff of KAUR had dwindled down to one student and that lack of student interest is cited as one of the reasons for the administration opting out of managing the station.

It's sad to me that such an amazing campus resource (around since 1972) just faded away.

Tuesday, November 10, 2009

My Crazy Final Day at CMJ: Radio-o-Rama

The final moments of CMJ 2009

My final day at the CMJ Music Marathon 2009, Friday, October 23, 2009, was jam-packed with radio-related adventures. In the morning I headed over to commercial radio station WRXP in order to hang out and get a tour of the station. It was a really fun experience and actually made me a bit more optimistic about the potential of commercial radio. My next post will be a full write-up on that tour.



College Radio Mentor Session with KDHX's Kate Estwing
Following that, I raced back over to NYU to take part in a short "college radio mentor session" that I'd arranged the previous day. Students participating in College Day the day before were entitled to sign up to have 15-minute chats with various folks from the industry, including radio promoters and community radio station KDHX.

KDHX's Program Director Kate Estwing talked to me about the St. Louis station. She mentioned that her station streams the past 2 weeks-worth of shows and said that the streams are really successful because "people don't like appointment listening anymore." I was also heartened to hear that KDHX plays vinyl and features a lot of in-studio performances (200 this year!).

The station gets its funding from members (they're doing a fundraiser right now), grants, and the Corporation for Public Broadcasting (CPB). Right now they're in the midst of a "Station Renewal Project" grant from CPB and the ultimate goal is to get the station to a place of self-sufficiency.

Man Behind the Curtain Engineering during KEXP Session

KEXP Sessions at the Cutting Room
Next, I raced over to the Cutting Room to see some of the live music that KEXP was hosting and broadcasting from there. On that particular day they were only doing acoustic sets and I caught a bit of the performance by Choir of Young Believers. There was lots of documentation happening, as the set was being filmed, photographed, and recorded for the archives and live stream. The set-up wasn't super conducive to having a live audience; but it was fun to hang in the hallway, meet folks from KEXP and see a bit of how radio was covering the festivities at CMJ.



Internet Radio: A Free-for-All
The final panel that I was able to make it to was all about Internet radio and featured a range of folks from KEXP, East Village Radio, the Future of Music Coalition, SoundExchange, AOL Radio, and Yep Roc. Much of the discussion focused on licensing and fees related to Internet radio and the affiliated rules and regulations. After a long week (and little sleep) I had a hard time focusing on all of the nitty gritty details of the conversation, except to recognize that there's much complexity surrounding these issues.

We heard that podcasting is different from streaming in that a podcast is considered a "distribution of a sound recording" and streaming is a "public performance" according to Kyle Funn from SoundExchange. SoundExchange helps artists get paid for streaming radio.

People talked about fee structures, reporting requirements and the currently imperfect methods for getting royalties to artists when not every song being played is necessarily reported. Internet Radio was described by Casey Rae-Hunter of Future of Music Coalition as having "tremendous promise" in terms of breaking new music and a future was imagined in which "a new breed of entrepreneurs" work to sort out all of the connections between radio, technology and reporting on artists/songs being played.

AOL's Peter Schiecke pointed out that the majority of the money that AOL Radio makes is used to pay royalties, meaning that it's "not a booming business." He suggested that there should be rates in effect that aren't "driving people out of business."

A few highlights/quotes I liked:

Emch Subatomic (KEXP, BrooklynRadio.net): Internet Radio is "a little bit of the wild west...right now."

Peter Schiecke (AOL Radio): Internet radio... "it still feels like it's in its infancy."

Jeremiah Lewis (Yep Roc Records): Radio is "a source for us to make money" (singles sent to radio are meant to encourage album purchases)

Peter Ferraro (GM, East Village Radio): "We are not making money at the present time...it's been a promotional vehicle for the restaurant [Little Frankie's] more or less...[that is] funded by tomatoes and dough and flour."

Casey Rae-Hunter (Future of Music Coalition): He uttered my favorite word all week: "Earballs"


Artist Lounge at the Pure Volume House
My final stop before departing NYC was the artist/press-only "lounge" at the pop-up venue at Collective Hardware dubbed Pure Volume House. This was a place where bands could hang out, get free haircuts, and the occasional free pizza slice. Press (like me) were also allowed, although I was initially denied access to the exclusive loft area where the hair cutting and massages were taking place. As is often the case, when one is told that something is off-limits it often sounds way more interesting than it turns out actually to be. I was in and out in a flash as there was no free food in sight. On my way out I ran into some college radio kids from KSCR who had been hanging there all week disguised as the KSCR Family Band. Rock on.

Previous Posts about the 2009 CMJ Music Marathon:

CMJ 2009 Band Name Trends Revealed
Radio is Alive and Well at the CMJ Music Marathon (for Radio Survivor)
Radio's Presence at CMJ
CMJ 2009 Music Marathon Recap Part Two (10/20/09)
Social Networking, Metal Radio & Digital Music, and Miles Davis in 1959 (10/21/09)
CMJ 2009 College Day Part One- College Radio and Competition
CMJ 2009 College Day Part Two: Music Directors' Summit
CMJ 2009 College Day Part Three: Making Executive Decisions Panel
CMJ 2009 College Day Part Four: College Radio Awards
Small Beast Showcase at The Delancey During CMJ: Theremin, David J, and David Lynch Covers

Saturday, November 7, 2009

Small Beast Showcase at The Delancey During CMJ: Theremin, David J, and David Lynch Covers

David J at The Delancey in NYC

My all-time favorite show during the CMJ Music Marathon this year was a showcase at The Delancey on Thursday, October 22, 2009. As part of the "Small Beast" series, this collection of acts played in the small bar area on the ground floor of the club. Downstairs one of the most happening shows of CMJ was taking place and a line of people stretched out the door. But I was happy to be inside at a less populated, more experimental, and (can you believe?) free show. Nestled in a velvety booth, I felt like I was transported to a crazy cabaret inhabited by characters from a Wim Wenders film, with Nick Cave and Leonard Cohen orchestrating the soundtrack.

This particular event was the 40th show in the "Small Beast" series, curated by Paul Wallfisch. He was the MC of the evening as well as a performer and even passed a tip jar to collect donations for the musicians between sets.

I was lured to the show by the promise of not only David J, but also musicians incorporating theremin and David Lynch covers into their sets. It seemed like the perfect confluence of performers and sounds for me.

Unfortunately things got going a little bit late (a pain at CMJ when every act is scheduled at precisely timed intervals so that attendees can pop from show to show), owing to a missing musician. As soon as the show began, though, I was entranced.

Pamelia Kurstin at The Delancey

First on the bill was Pete Drungle, featuring Pamelia Kurstin with some loungy, jazzy sounds on theremin. Pete played Wurlitzer piano and another fellow handled percussion using some intriguing box-like contraption that he was sitting on. Overall, it was magical, shimmery instrumental music.

Call me Kat at The Delancey

After that, Call me Kat from Denmark provided some lovely vocalizations over vintage synth. She tantalized with a sophisticated cover of the Britney Spears tune "Toxic."

Spottiswoode was a passionate, singer-songwriter guy with a guitar. His text-focused song about all the ladies he liked included phrases like "girls with glasses and ten dollar asses, that's what I like." I was instantly reminded of the retro Nails classic "88 Lines about 44 Women," although his take on things was way less saucy. Later he moved to piano and I became a lot more interested in the dirgier style that he transitioned into. I bantered a bit with the guy next to me (who turned out to be David J!) and he mentioned that parts of the set reminded him of Randy Newman. I could see that too, with a bit of Billy Bragg thrown in for good measure. For sure he was a storyteller and that was the commonality between all of the influences that I heard in his music.

Thomas Truax at The Delancey
(Spinster Sister to his left)

One of the most intriguing musicians of the night was Thomas Truax. Like a mad professor he came on stage with a collection of fascinating, Rube Goldberg-style contraptions that he used to make music. Crafted with bits and pieces of vintage materials, the Hornicator featured part of an old phonograph horn. The automatic drum kit dubbed Sister Spinster sat perched on a table in front, churning out demonic, heartbeat sounds as well.

Thomas looked a bit like a cross between David Byrne and Harry Dean Stanton and was just plain creepy cool. At one point he jumped up on the bar and crouched down playing his guitar while singing to each and every member of the crowd, weaving in and out of booths while he sang. He's done an album of songs from the films of David Lynch and included a few in the set at Delancey as well.

Paul Wallfisch and Little Annie

Our host for the evening, Botanica's Paul Wallfisch then hit the stage. I was fascinated by him in part because he bears an uncanny resemblance to a DJ at my station (appropriately named Mitch LeMay). Perhaps he's his doppelganger. Paul played piano and was quite the lounge lizard, making the old time, variety show vibe of the evening even more apparent.

I kept wondering what the 20-year-old CMJ hipsters must be thinking as they crossed through the room to get to the Antlers show downstairs. Did they run screaming thinking "oh my god, this is cheesy old people music" (like I used to think about Barry Manilow), or did they recognize the camp aspect of it all? Special guest Little Annie joined in and she was definitely the glamorous diva of the night. Dressed to the nines in head-to-toe black, she looked classic and classy, but her lyrics were biting and sassy.

David J with members of Botanica at The Delancey

Then, the star attraction for the night was Bauhaus and Love and Rockets luminary David J. Halloween songs were promised and he definitely delivered with some creepy-themed songs about murder and death. He performed a lot of covers, including songs by LCD Soundsystem and Tom Waits and premiered a new song of his called "Blood Sucker Blues" about a strung-out vampire.

I was a bit star-struck as it took me awhile to realize that I'd been sitting next to David J. for much of the evening. It was pretty cool to just chat about the music with a fellow music-lover who turned out to be one of the main reasons I was at the show in the first place.

I'm also 90% sure that I spotted another celebrity that evening. If you look closely at the pictures I took during the David J. set you might just spot a shadowy figure who I think is the hilarious actor/comedian Clark Duke (he plays the geeky cool Dale on the TV show Greek). If it wasn't him it was just some CMJ hipster who could have been his twin.

David J was spinning a DJ set at Small Beast later, but as it was nearing 2am, I had to split to get some sustenance (late night S'mores crepe, anyone?!) after a very long day of CMJing it.

If I'm back in New York, though, I'll definitely be checking out Small Beast again because if this show's lineup was any indication, the booking philosophy is simply inspired.

Thomas Truax with his Hornicator

Previous Posts about the 2009 CMJ Music Marathon:

CMJ 2009 Band Name Trends Revealed
Radio is Alive and Well at the CMJ Music Marathon (for Radio Survivor)
Radio's Presence at CMJ
CMJ 2009 Music Marathon Recap Part Two (10/20/09)
Social Networking, Metal Radio & Digital Music, and Miles Davis in 1959 (10/21/09)
CMJ 2009 College Day Part One- College Radio and Competition
CMJ 2009 College Day Part Two: Music Directors' Summit
CMJ 2009 College Day Part Three: Making Executive Decisions Panel
CMJ 2009 College Day Part Four: College Radio Awards